Jacques
Courtens' paintings are somewhat disturbing in that their
conception and images go beyond the limits of our conception
and our experience.
They cast the viewer in a universe where bliss coexists with
torment, where anxiety, happiness and peace come and go. This
is a universe where sensual pleasures enliven the body and
mind of those figures now lying down or reclining, now skipping
or
dancing. It is a world where in a frenzied swirl of joy, sadness,
insouciance and fright, life meets with death and joy with
terror.
It is this very relationship of contradictory elements in the
paintings which awake in the onlooker the means to explore
space, adventure, magic and love.
Let us not forget that Jacques Courtens is not merely a creator
of images burst out of his subconsciousness and then structured
into rigorously formed and coloured identities but above all
a painter with vibrant inspiration searching great depths for
the truth, bringing the fruit of his search back from these
unfathomable depths out into daylight.
This fruit, this peach is that of our obsessions, of obsessions
that concern us all, which we hide, cover up, sublimate into
mad desires.
Thus the work of Jacques Courtens is generated by a reclusive
and ascetic conception of art; his vision makes him a prophet
whose voice is not lost in the desert. Indeed we all listen to
that voice because it shouts out our folly with the outmost esthetical
logic.
Richard
Audry,
journalist and art critic - 1979
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